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Pirates of the Caribbean: Community Prequel Script

<!--quoteo(post=230510:date=Jan 2 2008, 06:31 PM:name=Mercer)--><div class='quotetop'>QUOTE(Mercer @ Jan 2 2008, 06:31 PM) [snapback]230510[/snapback]</div><div class='quotemain'><!--quotec-->Pieter do you think it would be wise to contact Ted and Terry about this script? Early on i mean. Just to see if they will accept it. Because i know it might be better if we finish it, but it takes only one two letter word, and a few sentences explaining why to ruin all we have accomplished. (Sorry to be Johnny Raincloud AGAIN). <img src="style_emoticons/<#EMO_DIR#>/smile.gif" style="vertical-align:middle" emoid=":)" border="0" alt="smile.gif" /><!--QuoteEnd--></div><!--QuoteEEnd-->Not sure, really. I think that right now we don't really have much proper stuff to show them, so if they <i>would</i> bother to look at it, I would be surprised if they didn't dismiss it as being useless to them. What we could do is to show them what we've got after fine-tuning the first part of the story. What we could also do is to send an e-mail to the webmaster of Wordplayer.com and ask him (I think it was a "her", actually) what they might think of our efforts.

In any case, whether Ted and Terry and/or Disney and/or Gore Verbinski would accept (part of) our script or not, I do want to continue work on it regardless. I want to have our two stories, the CotBP prequel and AWE sequel, finished so that even if they are never put to film, at least we've had the fun of writing two really good stories. Perhaps they never do make another PotC film and our stories would be the only ones that would show what might've been in the unmade films.
 
I agree with that. <img src="style_emoticons/<#EMO_DIR#>/yes.gif" style="vertical-align:middle" emoid=":yes" border="0" alt="yes.gif" /> And I agree that we should fine tune the story before we even think of giving anyone a glance at it. I think we will have some time because they probably won't be to eager to make another film right away. And if we put enough care and incorporate some of the better ideas we had then I do think our script will merit another look by them.
 
They're not going to start filming any time soon. They're probably not even in the brainstorming phase. I think they're still on the "cashing in on AWE" phase. With the writer's guild strike and Ted and Terry first working on a new Western for Jerry Bruckheimer, they're not going start on PotC 4 any time soon. As far as future Jerry Bruckheimer projects are concerned, they still have Prince of Persia: Sands of Time (2009) to keep them occupied for a while anyway. So we're not in <i>that</i> much of a hurry; as long as we just continue on a steady pace. That's one of the advantages of doing a fan script: We can take half a year or even a year perfecting it, instead of professional scriptwriters who have to finish them stories quite quickly. If you've seen the making of material on DMC, the writing of the script for DMC and AWE was a tremendous rush-job.
 
Yep, the writers guild strike. They are our best friends right now. But it will give us time to perfect it. All good points. Your right, they are probably still in the cashing in phase, and that may lead them to believe that this series still has legs, and no doubt Depp would be in to doing more movies since he likes playing Jack so much.
 
I think as far as the old actors are concerned, Johnny and Geoffrey will be willing to do another film, Orlando and Keira probably won't and I don't know about the others. This should probably be something to keep in mind for our character usage. There's no point in giving Will Turner a huge part to play if, in the end, Orlando doesn't want to do it. <img src="style_emoticons/<#EMO_DIR#>/unsure.gif" style="vertical-align:middle" emoid=":?" border="0" alt="unsure.gif" />
 
I agree. There is no reason to have turner in this prequel. He is too young to play a role. As is Elizabeth.
 
I was more talking of the sequel as far as Will and Elizabeth are concerned. They DEFINITLY have no place in the prequel, but I think we should keep them out of the sequel as much as possible as well. Unless we <i>really need</i> them for our story.
 
I agree. And if Will is now running the Dutchman, won't he start to change in appearance so that they don't need Bloom. As for Elizabeth, I guess they could always use another actress. I'm pretty sure that those two (from what they have said) wouldn't be interested in any more films.
 
Will wouldn't change, because he DOES do his job. Davy Jones became squid-like because he stopped doing his job of ferrying lost souls. I wouldn't like seeing another actor/actress replacing them though. I hate it when they do that in films! <img src="style_emoticons/<#EMO_DIR#>/boom.gif" style="vertical-align:middle" emoid=":boom" border="0" alt="boom.gif" />
I'd prefer simply not having them in the story at all. Or just a small role that they might agree to, even if they don't want to play a big part.
 
<!--quoteo(post=231725:date=Jan 4 2008, 10:41 AM:name=Pieter Boelen)--><div class='quotetop'>QUOTE(Pieter Boelen @ Jan 4 2008, 10:41 AM) [snapback]231725[/snapback]</div><div class='quotemain'><!--quotec-->Will wouldn't change, because he DOES do his job.<!--QuoteEnd--></div><!--QuoteEEnd-->
Well, you know the old saying: Absolute power corrupts absolutely. <img src="style_emoticons/<#EMO_DIR#>/icon_wink.gif" style="vertical-align:middle" emoid=";)" border="0" alt="icon_wink.gif" /> Maybe Will would start to head down Davey's path after a while. Probably not though. And I agree, I don't like it when other actors are substituted either. We could probably get by with just mentioning them but never seeing them.
 
I like Orlando in LotR, PotC and Kingdom of Heaven as well, but he's played his part. Let him ferry his lost souls for ten years and then go home and have fun with "dear Lizzie". <img src="style_emoticons/<#EMO_DIR#>/icon_mrgreen1.gif" style="vertical-align:middle" emoid=":cheeky" border="0" alt="icon_mrgreen1.gif" />
 
"dear Lizzie" LOL!!! Funny way of putting it! <img src="style_emoticons/<#EMO_DIR#>/biggrin.gif" style="vertical-align:middle" emoid=":D" border="0" alt="biggrin.gif" />

So is the script page up? If so could everyone please read over it and look for flaws and things that need be added. We seriously need to extend the beginning scene with beckett.
 
We might want to be careful with barbossa in this prequel. If we do something like a tavern scene showing Jack hiring Barbossa at the end of the movie... it would look like a play on the final scene of DMC.
We need to introduce the "good old boys" of the movies, like Barbossa, Gibbs, Pintel, Ragetti... and I think we could expand on Anamaria and some of the cursed crewmen that we only see in TCotBP. (There's another idea... "You stole my boat!" ... let's shed light on that incident. Was Anamaria a captain? What if she was the "Wicked Wench" the ship was named after?)

One of the things that made Star Wars III so cool was when we suddenly realized "Woah! That's gonna be so-and-so in Episode IV!" or "So that's who he is!" Stuff like that. We need to do the same, make everyone love the movie because we're intorducing the all-star cast that everyone loves to begin with.

I'm already working on a background and introducing Norrington, Gillette, Groves, and the <i>Interceptor</i> in my books, so we don't need to touch those.
 
<!--quoteo(post=231959:date=Jan 4 2008, 09:41 PM:name=Commodore John Paul Jones)--><div class='quotetop'>QUOTE(Commodore John Paul Jones @ Jan 4 2008, 09:41 PM) [snapback]231959[/snapback]</div><div class='quotemain'><!--quotec-->and I think we could expand on Anamaria and some of the cursed crewmen that we only see in TCotBP. (There's another idea... "You stole my boat!" ... let's shed light on that incident. Was Anamaria a captain? What if she was the "Wicked Wench" the ship was named after?)<!--QuoteEnd--></div><!--QuoteEEnd-->
I suggested that earlier, I think it would be fascinating to come up with the history behind that statement. And it would probably open up other avenues we could explore. BTW, I like that Wicked Wench tie-in you suggested. Maybe we could go somewhere with that. <img src="style_emoticons/<#EMO_DIR#>/me.gif" style="vertical-align:middle" emoid=":onya" border="0" alt="me.gif" />
 
Good points guys!! I like the Wicked Wench angle. I think i suggested from the beginning that we dont just show Barbossa at the very end, but rather explore his becoming a member of the black pearl. I think we NEED to show bootstrap being sent to the bottom of the ocean, but we dont show Jones rescuing him. You all know that Barbossa is the pirate lord of the Caspian Sea. Why in the blazes would he just show up at some random tavern in tortuga? If he is as good a tactician as he is in the other movies you would think he would have his own ship. If we do this we will have to reformat the entire film such as time usage. This is your boat guys if you want go ahead and float with it. I personally would like this angle. Maybe we can make Pieter happy with some good old pirating by having Barbossa as first mate on the Pearl, and they go pirating, then we can tie it into the movie without messing up the actual flow of events. Yes, introduce Barbossa and the good old boys BEFORE the trip to mexico. Then we can introduce them smoothly with out the abruptness of something like at the end of DMC.

See? Case-in-point. As i have said just start tossing ideas someone will catch on, and find a way to adapt it to the script. And others can voice their opinions and make the script even better than before!!
 
I agree, since these characters are relevant to the later movies and are obviously a big part of Jack's life then it would be interesting to see how he met them or at least if he encountered some of them in the prequel.
 
I updated the first post of the thread with the <a href="http://pafiles.com/build/pb_files/potc_hoist_the_colours.htm" target="_blank">Mirror</a> to the script that does work, so you should now all have no problem finding it anymore. <img src="style_emoticons/<#EMO_DIR#>/doff.gif" style="vertical-align:middle" emoid=":doff" border="0" alt="doff.gif" />

<!--quoteo(post=231959:date=Jan 5 2008, 03:41 AM:name=Commodore John Paul Jones)--><div class='quotetop'>QUOTE(Commodore John Paul Jones @ Jan 5 2008, 03:41 AM) [snapback]231959[/snapback]</div><div class='quotemain'><!--quotec-->We might want to be careful with barbossa in this prequel. If we do something like a tavern scene showing Jack hiring Barbossa at the end of the movie... it would look like a play on the final scene of DMC.<!--QuoteEnd--></div><!--QuoteEEnd-->Very much agreed. That worried me as well, so that's why I suggested Jack meeting Bootstrap in the tavern instead, who could introduce Jack to a First Mate and first-class crew to join him on his venture or something like that (actual introduction would occur offscreen after the end of the film).

<!--quoteo(post=231959:date=Jan 5 2008, 03:41 AM:name=Commodore John Paul Jones)--><div class='quotetop'>QUOTE(Commodore John Paul Jones @ Jan 5 2008, 03:41 AM) [snapback]231959[/snapback]</div><div class='quotemain'><!--quotec-->We need to introduce the "good old boys" of the movies, like Barbossa, Gibbs, Pintel, Ragetti... and I think we could expand on Anamaria and some of the cursed crewmen that we only see in TCotBP. (There's another idea... "You stole my boat!" ... let's shed light on that incident. Was Anamaria a captain? What if she was the "Wicked Wench" the ship was named after?)<!--QuoteEnd--></div><!--QuoteEEnd-->I wouldn't introduce too many of them; just the ones we really need or would be really cool to have. We don't want to explain everything like they did with Star Wars. Some people liked that, but then just as many didn't.
<i>Barbossa:</i> I think it's best not to have him in the prequel; we'll have plenty of him later. We should just have a hint of his existance at the end of the film, but we don't necessarily need to see him.
<i>Gibbs:</i> He's introduced to us straight at the beginning of CotBP. I think that's early enough. How he ended up becoming a pirate and Jack's most trusted crewmember is anyone's guess, but I don't think we need to explain that. Leave it up to the audience's imagination.
<i>Pintel and Ragetti:</i> They're members of Barbossa's crew. That's all we really need to know, isn't it? <img src="style_emoticons/<#EMO_DIR#>/dunno.gif" style="vertical-align:middle" emoid=":shrug" border="0" alt="dunno.gif" />
<i>Annamaria:</i> BRING HER BACK!!! She was brutally abandoned in DMC and AWE even though she was really interesting in CotBP. <img src="style_emoticons/<#EMO_DIR#>/w00t.gif" style="vertical-align:middle" emoid=":woot" border="0" alt="w00t.gif" />

We thought we could perhaps add the "you stole my boat" scene as post end credits scene.

Annamaria as the original Wicked Wench Jack named his ship after? Interesting. I don't imagine Annamaria to be a wench like Scarlett and Giselle though; to me Annamaria seems more like a proper female pirate.

<!--quoteo(post=232006:date=Jan 5 2008, 05:51 AM:name=Mercer)--><div class='quotetop'>QUOTE(Mercer @ Jan 5 2008, 05:51 AM) [snapback]232006[/snapback]</div><div class='quotemain'><!--quotec-->I think we NEED to show bootstrap being sent to the bottom of the ocean, but we dont show Jones rescuing him.<!--QuoteEnd--></div><!--QuoteEEnd-->Personally I think that everything that is adequately explained off-screen does not need to be shown onscreen again as well. That'd just be a double. I'd rather spend the film time on new things we didn't know about. Now if there are things that are NOT adequately explained on film, we could either keep them vague or decide to show some of it. But I think our film should be able to stand on its own, without reference-after-reference to the other films and introduction-after-introduction of characters that will become important later on.

<!--quoteo(post=232006:date=Jan 5 2008, 05:51 AM:name=Mercer)--><div class='quotetop'>QUOTE(Mercer @ Jan 5 2008, 05:51 AM) [snapback]232006[/snapback]</div><div class='quotemain'><!--quotec-->Maybe we can make Pieter happy with some good old pirating by having Barbossa as first mate on the Pearl, and they go pirating, then we can tie it into the movie without messing up the actual flow of events. Yes, introduce Barbossa and the good old boys BEFORE the trip to mexico. Then we can introduce them smoothly with out the abruptness of something like at the end of DMC.<!--QuoteEnd--></div><!--QuoteEEnd-->Having some of Jack's known crew join them earlier of the film might be possible. Bootstrap could already be there halfway into the film, for example. But Barbossa as well? I like the thought of only meeting him in person in CotBP.
Another thought: Perhaps it's not Bootstrap who introduces Jack and Barbossa, but it is Mr. Gibbs who is there in the Tortuga tavern at the end of the film?

The main challenge we have with this script is, I think, to make sure it DOESN'T read like a fan script. Instead it should be a new original story that can stand on its own even away from the other films. Of course there's some explanations and introductions in the film - it IS a prequel after all - but that shouldn't be the main point of the film. We should be very careful to learn from the things done in other prequels and Star Wars is an obvious example. I like all Star Wars films, but I do think they could've been better, especially the prequels. Things like Jango and Boba Fett in Episode II and especially Chewbacca in Episode III don't really add that much to the story, but instead make that galaxy seem smaller.

So basically what I'm saying is this: We should only add these film references and character introductions that fit in with the story and help the story. But for that it might be a good idea if we decide on what IS the point of the story? Why should this film be made at all? Why should people want to see it?

My personal answer would be: To show the audience a Jack they haven't seen before and to give them an interesting story with lots of cool elements, which also explains some of the events leading up to the next films and introducing some of the characters.

I think the main criteria for adding a character from the other films should be whether or not that character has already been adequately introduced and explained in the other films and what impact the addition of this character to the prequel would have on the effectiveness of the other films. Now Beckett, Mercer and Davy Jones are definitly not explained well enough yet and are required for our prequel. Getting to know them better would definitly improve the other films' effectiveness as well. Then characters like Annamaria and Sao Feng are interesting characters, but underused in the other films, so it'd be nice to expand on them a bit here. Then there is, for example, Mr. Gibbs whose sudden turn from respectable bosun to pirate between the CotBP opening scene and the rest of that film is, as far as I'm concerned, a nice unexplained mystery that we could leave unresolved.
 
That and I'm sort of telling Mr. Gibbs' story in my Norrington books...

So two "must-haves"... Anamaria and Sao Feng! (I really expected some more from him in AWE, thought that as a Chinese pirate we'd see some intense Asian swordfights... but no. We must fix that.)
 
Sao Feng in a swordfight even. Interesting. We could add that, I think. We'd still need to figure out a way for him to fit into the story in such a way that it doesn't feel forced or unnecessary.
 
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